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The Essex Serpent: A Novel-Sarah Perry

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SOON TO BE A TELEVISION ADAPTATION STARRING CLAIRE DANESA Kirkus Review Best Book of 2017 * A Washington Post Notable Work of Fiction * Winner of the British Book Awards Fiction Book of the Year and overall Book of the Year * Waterstones Book of the Year * Costa Book Award Finalist"A novel of almost insolent ambition—lush and fantastical, a wild Eden behind a garden gate...it's part ghost story and part natural history lesson, part romance and part feminist parable. I found it so transporting that 48 hours after completing it, I was still resentful to be back home."  -New York Times“An irresistible new novel…the most delightful heroine since Elizabeth Bennet in Pride and Prejudice.”  -Washington PostLondon, 1893. When Cora Seaborne’s brilliant, domineering husband dies, she steps into her new life as a widow with as much relief as sadness: her marriage was an unhappy one, and she never suited the role of society wife. Seeking refuge in fresh air and open space, she leaves the metropolis for coastal Essex, accompanied by her inquisitive and obsessive eleven-year-old son, Francis, and the boy’s nanny, Martha, her fiercely protective friend. Once there, they hear rumors that after nearly three hundred years, the mythical Essex Serpent, a fearsome creature that once roamed the marshes, has returned. When a young man is mysteriously killed on New Year’s Eve, the community’s dread transforms to terror. Cora, a keen amateur naturalist with no patience for religion or superstition, is immediately enthralled, certain that what locals think is a magical sea beast may be a previously undiscovered species. Eager to investigate, she is introduced to parish vicar William Ransome, who is equally suspicious of the rumors but for different reasons: a man of faith, he is convinced the alarming reports are caused by moral panic, a flight from the correct and righteous path. As Cora and William attempt to discover the truth about the Essex Serpent’s existence, these seeming opposites find themselves inexorably drawn together in an intense relationship that will change both of them in ways entirely unexpected. And as they search for answers, Cora’s London past follows her to the coast, with striking consequences. Told with exquisite grace and intelligence, The Essex Serpent masterfully explores questions of science and religion, skepticism and faith, but it is most of all a celebration of love, and the many different—and surprising—guises it can take.

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No spoilers in this review. OK, so I was sooooo excited to get this book and I am a bit disappointed. But it isn't because it is a poorly written book. It is a good book, good writing, good characters -- it is just that the book jacket description does not match the book hardly at all. You need to know this so that you are not disappointed as I was. The book jacket makes the book sound like it is about a little village in Ireland where people are dying or missing and it is blamed on a mythical/historical sea serpent. A natural scientist, a woman named Cora, goes to the village to investigate. This is all somewhat true of the story, but the sea serpent part is really a background story and does not dominate the narrative at all. It's almost a second thought. If I could completely ignore the book jacket description, I would say that this book is about Cora, a female scientist in late 1800s London, and her relationships with men, her unhappy marriage, her lovers, her difficulties in relating to her odd son, her hopes and dreams. The story is more about relationships, love and loss, friendships, and less so about women's dreams during this time period. A great deal of the dialogue is about religion vs science but it is only lightly worked. There were not many scary parts, only tiny bits and pieces scattered here and there throughout the book. The characters are well defined and interesting, though I needed to keep a notebook with names and notes at first to keep them straight. I rarely like to have more than 4 characters in a book and this had several to keep track of. The situations were believable. I only want to point out that if you are looking for something a bit more magical, a bit more along the lines of cryptozoology with the possibility of a sea serpent or a tracking down of a sociopathic killer in a small Irish village, you will not find that here. The book jacket is misleading, which is not the fault of the author. It is however a wonderfully written and interesting book and I do recommend it to those who enjoy stories with interesting characters, especially of women who are challenging societal roles.
This is a most unusual novel, and a very good one. Set in the Essex county in England, in about 1893, it provides an interesting view of late Victorian life and mores. The author is a native of this area and seems to have a real "feel" for it. The overall setting of the novel involves the strong beliefs of Essex inhabitants that a giant sea serpent is preying upon them, though direct proof is somewhat lacking. So one theme is how group psychology, much like the Salem witchcraft trials, can grip a local rustic community even though such beliefs are contrary to fact.Another dimension involves the differing perspectives of well-off, educated Londoners v. the classic rural villagers whose way of life has changed little over centuries. The central character, Cora, while refined is also interested in Darwin, evolutionary theory, and hunting fossils. Having just read and reviewed "Darwin's Women" I was not surprised as to this aspect since I had learned that a great many women had helped Darwin by doing the legwork necessary to collect the specimens and fossils upon which his work was in part based. Placed in the environment of Aldwinter village, Cora encounters the local, classic British parson with his flock--much better educated than was typical but yet devoted to religious concepts. The two go at it on several themes which illustrates this transition that occurred in England in the late 19th century., as evolution ran up against established religious and social norms. Cora believes the serpent may simply be a "living fossil"; the parson believes it just hysteria which should be dismissed, even though his flock disagrees.Another interesting dimension involves several characters who are involved in improving impoverished living conditions in London, but with little success. Also present is a most interesting surgeon who has inventive ideas about heart surgery which the local medical authorities are most reluctant for him to undertake. I was surprised a bit at this since much medical progress in reality had been made during this period, the Wellcome Hospital being just one example. The success of his techniques only brings him tragedy.The title suggests another major theme--sort of a scary monster story or is it? The author resolves the mystery not once but twice, and does so in a most inventive way. In the end, all these issues seem to settle down, though Cora for all her perception and intellectual resources remains a widow, though a fulfilled one. The author's style is most seductive and the novel really draws the reader in and demands continued turning of its 418 pages. I read that the author had become seriously ill recently and may not write any more novels. This is a tragedy for her and a great loss for us if no further works emerge from her. So read this unique and innovative novel and enjoy her while you can.

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